How a First Gen Immigrant Broke the Mold with Veronique Kherian, Photographer, Cheese Evangelist, and Classical Singer
This week, Jessica interviews Veronique Kherian, a San Francisco-based photographer, cheese evangelist, & classical singer. Vero studied Economics and French at Wellesley, and taught English in Normandy, France. After returning to the US to earn her JD, she grew her law practice focusing on intellectual property, when a life-altering stint as a cheesemonger brought her into the forefront of artisan cheese with her blog, Miss Cheesemonger. Currently, she manages the social media for a local San Francisco cheese shop and runs her highly-sought-after portrait photography business. She sings with local opera companies and choruses, and has developed an ongoing project combining her love of song and artisan cheese, called Miss Cheesemonger Sings.
Learn more at verokherian.com and on Instagram @verokherian and @misscheesemonger
Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? Jessica works with people just like you. She coaches individuals and leadership teams to rise to new challenges - with a unique blend of analytical & creative approaches, plus 18 years of invaluable experience working in companies and startups.
Visit jessicawan.com or BOOK AN INTRO CALL: https://calendly.com/jessicawancoaching/intro-call-coaching
Credits
Produced and Hosted by Jessica Wan
Co-produced, edited, and sound design by Naomi Tepper
Theme music by Denys Kyshchuk and Stockaudios from Pixabay
Musical excerpt of Les Nuits d’éte, Op. 7, H 81b, 1. "Villanelle" by Hector Berlioz performed by Vero Kherian
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It was, of course, a low time in
the legal profession and so, not
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a lot of law firms were hiring.
And I ended up working behind a
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cheese counter in a very, very
small shop and restaurant, and
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that's where a whole new world
of artisan cheese opened up for
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me, it was incredible.
What fuels, a multi passionate
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life, I'm Jessica one.
And in this podcast, I interview
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people who straddled two,
completely different worlds, I
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call them a Sands, and And we
are collectively designing, the
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Ampersand manifest.
I am so excited to be talking
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with veronique carrion.
She is a San francisco-based
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photographer, she's evangelist
and classical singer.
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She studied economics and French
at Wellesley and taught English
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in Normandy.
France, after returning to the
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US to earn her JD, she grew her
law practice Focusing on
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intellectual property, when a
life-altering stint as a
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cheesemonger, brought her into
the Forefront of artisan cheese
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with her blog.
Miss cheesemonger, currently she
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manages the social media for a
local San Francisco, cheese,
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shop and runs her highly
sought-after portrait
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photography business.
She sings with local opera
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companies and choruses and has
developed an ongoing project,
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combining her love of song and
artist.
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As and cheese called Miss
cheesemonger sings Vero.
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Welcome to the show.
Thank you so much for having me
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here.
Jessica, I'm so excited to see
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you and to be here, I'm also
excited so you and I know each
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other through the Bay Area,
singing community.
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And you also took my headshots
last year, which I absolutely
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adore growing up as a kid on the
East Coast, what did you imagine
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your adult life to be like, and
did it in?
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Singing photography and cheese
growing up in New Jersey and
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Virginia raised by an immigrant
family from Vietnam.
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I 100% thought I was going to be
a lawyer when I grew up and
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that's why I studied economics
in college and that's why I
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tried to have a very serious
childhood.
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I did a lot of reading when I
was a kid, I would read
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something like a book a week.
When I was 10 years old, I did
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always have music in my My life,
I took piano lessons from first
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through 12th grade and I did
actually always have dance
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growing up.
My sister took ballet tap
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lessons, but then when we grew
into adolescence we both took on
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Irish step dancing and that was
something we.
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Got really intense about my
sister and I are very
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competitive people and sometimes
we danced against each other and
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a lot of times we danced with
each other, but we We loved
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music.
And so I knew somehow music was
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going to figure in my life as an
adult, but I didn't know what
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form it was going to take.
I always thought I was going to
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work in a big city like New York
and climbed the elevator every
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day into a skyscraper when be a
big names corporate lawyer.
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I did not anticipate anything
like my life is today at all,
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and you have done.
The lawyer thing to I did I
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Think this was a combination of
my parents dreams and hopes and
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expectations for me and
something that I was exposed to
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growing up.
I thought that that's what
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grown-ups did.
They wore a suit and they went
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to an office every day.
I thought that's what my life
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was going to be.
Like it was actually when I
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first arrived at law school at
my very first class which was
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property law.
When I realized that this is
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probably not how I wanted to
live my life.
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Life law school was a really
challenging time in a lot of
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ways.
Intellectually, of course, it
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was new level of stimulation for
me and and competition.
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And deep level of studying that
I was not really accustomed to,
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I would wake up at six in the
morning and study from Seven
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until 11:00 at night.
And I knew that that was not
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probably the best way to spend
my time.
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I studied quite a lot.
But after the first year, I
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decided that I needed to devote
some of those Those hours in my
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day to something, I truly loved,
I had always loved singing on
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some level but never really
studied it deeply.
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And I figured that this was the
time to do it.
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I could carve out maybe an hour
and a half of my day to go take
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voice lessons and to join a
chorus.
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So that's what I did.
I took my first classical
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singing lessons then and joined,
I think it was called the DC
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Women's Chorus, and that was a
wonderful, wonderful escape from
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from the rigors of Law School.
These murders.
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That hyper-competitive
environment of law school, kind
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of forced me to reassess.
What was really important to me
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and music really won out and the
calculus and then after law
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school studied, for the bar exam
took that in San Diego.
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And while waiting for results,
spent many, many hours, looking
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for a job.
It was, of course, a loti I'm in
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the legal profession and so not
a lot of law firms were hiring.
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And I ended up working behind a
cheese counter in a very, very
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small shop and restaurant and
that's where a whole new world
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of artisan cheese opened up for
me, it was incredible.
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The people the craftsmanship
Behind these wheels of cheese
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and the community that cheese
was able to, to build around
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itself was wonderful, beautiful.
And I still, I'm so enamored
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with it today.
So, back in 2009, you started
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your blog Miss cheesemonger, and
this was fairly early days for a
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strong online presence.
How has the blog grown and
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evolved these past, 14 years,
when I started, I found maybe
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three other cheese blogs online.
I'm in touch with two of the
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blog writers, it's not you.
It's Bri Kirsten Jackson and
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Madonna fromage.
Taniya Darlington.
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We've kept in touch Blogging has
definitely evolved since then.
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It used to be more of a
journaling format.
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And that's kind of how I use the
blog early on to document.
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What I was learning behind the
cheese counter writing about new
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cheeses, as I studied them and
to kind of organize my thoughts,
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it was not really meant for a
large audience who is meant for
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myself.
As I studied later though, I
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think we reached a sort of
golden age of blogging, where
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there were were sponsorships and
special blogger events.
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There still are these things but
I think they have toned down
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quite a bit since then.
And there was a period, when I
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really turned up the blogging I
was coming out with a new post
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every week.
That was replete with a big
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photography spread and multiple
cheeses and multiple condiments.
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That wasn't crazily.
Time intensive work but on top
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of that I was attending events
left and right.
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Only for bloggers and content
creators at restaurants and
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hotel openings, and Wineries.
And it was, it felt like it felt
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like Disneyland unreal and
wonderful and very strange
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because as soon as food arrived,
you would get like 50 people
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trying to photograph it all at
the same time.
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So we wouldn't be able to eat
anything until like 45 minutes
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later.
It was wild.
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My husband hated going to those
things because As he said, we
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can't eat anything.
We just have to take photos.
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So did the cheese proceed the
photography or did they kind of
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come together and it seems like
also singing kind of came up in
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that time as well?
What was the order of
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operations?
Well I started my cheese blog
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with a point and shoot camera.
That's all I had.
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And let's see that was 2009 or
so 2010 a few years later.
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Around 2013.
When the blog was picking up
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steam and I wanted to gain more
of a following.
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I ordered my first DSLR camera
and started taking that around
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with me everywhere every single
day.
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Without fail, I would take at
least two dozen photos and try
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to edit them around that time.
2013 2014 is also when I started
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performing and shows like operas
and operettas and so we have a
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lot of downtime backstage and
when we're Ting for our cues and
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whatnot.
So I figured I'd fill that time
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with photography practice.
So I was already in the habit of
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taking my camera around with me
everywhere.
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I started taking it back stage
to try to document this new and
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fascinating world of stage life
makeup the costumes backstage,
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bander all that, it was
beautifully colorful and alive
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and I wanted to see what I could
capture of that and then people
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just started asking me to take
their portraits here and there I
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started taking very low-key
headshots with people outside
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and found that the world of
Photography.
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Well, I'd been practicing it on
my own took on a whole new level
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of work and meaning when I
involve a subject that I could
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photograph and so I started
looking into off-camera Flash
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and from there looked into
strobe lighting and a studio and
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everything just kind of
snowballed.
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From there all because I was
trying to practice photography
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for the sake of my cheese blog
but it also allowed for me to
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connect with people in ways.
I never thought possible.
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This must have been quite a
leap, having gotten your JD and
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pass the bar and you're growing
this law practice.
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And now these worlds of cheese
and photography and Opera keep
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presenting themselves, how did
you Commit to the leaf.
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I took a couple of years, to
really say to myself that I am
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not going to practice law
anymore and I'm going to devote
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myself to being an artist.
Essentially, I had to go through
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this sort of mental hurdle.
I think I had grown up thinking
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that art or music it were for
your free time, whereas
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something serious was meant for
work hours of the day.
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So I really just had to let that
go.
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At go.
And and realize that I could
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earn or sort of living through
writing photography creation as
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opposed to office work and
creating Word document.
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After Word document, it did take
some time, I talked a lot about
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it with my spouse, my siblings,
they're a sort of validation or
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approval meant a lot to me, and
they told me to go for it.
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So especially my husband he Was
very supportive of me, devoting
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myself to art as long as he
could see, I was happy and
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continuing to take it seriously
as a business.
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It wasn't just something I was
doing for fun.
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I had to treat my art like a
business basically.
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And once I was able to do that,
I could let go of the other
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business of law.
Yeah, it seems that the core for
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all of these Pursuits, you're
very much an entrepreneur and
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And there's so much creativity
in each of these businesses and
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also how they connect and
interact with each other.
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Let's take a short break to
reflect on this question.
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How do your creative Pursuits?
Connect and interact with each
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other outside of Hosting this
podcast?
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I partner with leaders in the
workplace as they rise up.
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Perhaps you've gotten a
promotion landed, a new role or
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00:13:07,900 --> 00:13:10,000
taken on a lot more
responsibility.
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00:13:10,500 --> 00:13:14,100
And you need a trusted sounding
board to support you as you
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support your team.
I coach individuals and
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Leadership teams to rise to the
challenge with my a and blend of
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analytical and creative.
If any of this intrigues, you
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00:13:26,400 --> 00:13:28,300
reach out to me at Jessica
one.com.
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Now, back to the show, see you
describe yourself as a huge
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Francophile and you are this
way.
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Even from an early age.
How did your passion an affinity
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for French culture grow over the
years?
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00:13:46,400 --> 00:13:51,500
Well, my parents are from
Vietnam and so they grew up in a
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French education system, they
were taught in French and they
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had that connection to the
culture and when a lot of my
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family members left Vietnam, a
handful of them settled in
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France.
It's as well and we were always
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able to keep in contact.
I know before I was born, my
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parents were casting around
looking for name possibilities.
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They did tap that French
contingent of our family and
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asked for their ideas.
And that's how I ended up with
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this French name of veronique.
I think I was sort of Born to
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Love France, but As I Grew
Older, I started learning the
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language.
Continue through High School.
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I still remain very close
friends with my high school.
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French teacher, Madame pizanno.
She's a wonderful friend.
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A second mother, I majored in
French in college, I studied
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abroad.
My husband is French will be
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married for 14 years, this week,
actually.
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So it has figured a lot into my
work especially with cheese.
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It's great to be able to connect
with French cheese makers and
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French cheese folks.
In their language, I've gotten
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to meet some Cheese makers in
Normandy, for instance, where my
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husband is from.
We visited Camembert.
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It's actually a town and
Camembert.
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The cheese is made just outside
of that town.
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It's great to be able to connect
to them with their language.
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So it sounds delicious.
Let's talk about Miss
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cheesemonger, sings.
So your recital series that
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pairs classical vocal music with
artisan cheese.
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What have you learned from
curating?
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And performing in Shows I've
learned about the importance of
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teamwork and developing the
right team.
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I have a wonderful cheese
partner, his name is Ray bear.
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He's the owner of cheese Plus in
San Francisco and he was on
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board with this cheese recital.
Idea, ever since I presented it
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to him from the very, very
beginning.
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I can't imagine working with
anyone else to bring these
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Cheese's to the city or wherever
I'm performing.
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He works with me too.
To curate the selection of
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cheeses to match the music that
I'm singing his dream was to be
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a rock guitarist and so he can
relate to the connection between
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food and music and creativity
and doing something new.
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I definitely did not think
anybody was going to come to a
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cheese recital because it was,
it was a strange idea to me, but
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I remember walking into my first
venue, which was in the basement
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of a church.
Friend of mine was managing the
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site and she said that there
were 50 seats.
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And I remember thinking, I hope
I can feel 50 seats and we ended
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up having some overflow.
I think there were maybe 60
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people and we had to squeeze
some tables into the back.
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I appreciate her very much for
telling me that I could easily
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fill those seats and I was
likely to sell out, she was
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right.
And then after that we tried a
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slightly larger venue which I
think had About 75 seats filled
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up and then we overflowed again.
We had almost 90 people at that
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concert so it's just been
amazing to learn about about my
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audience and work with them,
every time I like interacting
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with them during the concert so
I can see the kinds of
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questions.
They're, they're curious about
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what they want to know about
cheese and what they want to
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know about music cheese and
music.
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They might seem like esoteric
Concepts but if you present it
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in a way that's engaging for
people Whole new world of each
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realm opens up and it's
exciting.
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It's exciting for them as it's
exciting for me.
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I learn about cheese and music
every time.
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What do you think is the
intersection between classical
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singing photography and cheese?
Like if we were kind of looking
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at a Venn diagram?
What's at the center?
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I think all of these subjects
are are ones that any one person
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can spend.
A lifetime learning about their
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sort of endless subject.
Someone can devote their entire
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life to cheese and not know
everything about it.
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Same thing with music, same
thing with Photography, they are
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all such nuanced, technical
skills that allow us to create
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something beautiful and also
connection with an audience.
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That's I think the thing that
draws them all together, I have
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met such incredible people in
all of those realms.
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Eames tease people are
incredibly quirky and welcoming
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and Brilliant and Technical if I
didn't say that already, and
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that's the same with music and
that's the same with
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photography.
A current project of yours is an
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audio-visual recording of a song
cycle.
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Five of the seven Elizabethan
lyrics by Roger, quilter, you're
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creating little vignettes like
music videos for each song, what
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inspired you to experiment with
creating visual narratives
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around music?
Well, that comes back to having
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a great team.
Several years ago, I met this
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wonderful video.
Guy Alex, Cruz Vergara.
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I tapped him too.
To video one of my cheese
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recitals just a very
straightforward recording but
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afterwards we started talking
and I realized that he's
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actually a deeply creative guy.
He's a lot of fun to be with,
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he's quirky and he's
increasingly technical, I've
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watched him develop his skills
over the years and he's
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wonderful videographer and
cinematographer right now.
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I just knew I wanted to create
something Visual and to create
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it with him.
So that was that was a big
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impetus.
And I chose these Elizabethan
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lyrics because a I'd actually
never tried a project in
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English.
I always end up singing in
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Italian or French for whatever
reason, but this was a new
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challenge.
Also I wanted to try my hand at
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some visual narratives each song
has has its own story and they
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are all actually tied together
by one common visual device.
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But I wanted to see See how I
could explore the depths of
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emotion visually as opposed to
just musically.
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What do you hope the audience
will gain from this project kind
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of similar to the cheese
recital?
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I'm hoping that people find a
new way to connect to this
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music.
These poems their Elizabethan,
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right?
So there are several hundred
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years old people, don't really
talk, like the way we talk in
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these poems anymore.
We still however, Talk about the
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same subjects.
So what I did is I put a sort of
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modern visual narrative to go
with these Elizabethan poems.
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And I'm hoping that we can
bridge the gap between then, and
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now and show people that the
lyrics are old, that they still
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relate to a lot of the things we
go through these days.
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Hmm.
Sounds like finding common
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Humanity that Lasts throughout
time.
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What advice do you have for
people who are pursuing or
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thinking of pursuing an
ampersand life?
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Honestly, I can't imagine living
any other way.
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There's no way that we can live
in only one dimension.
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We are just being human live in
multiple Dimensions.
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We are sisters and wives and
mothers and cousins and friends.
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We always have Another way to
connect with somebody, another
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means of connecting with other
people in terms of tying
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professional lives together.
These days, it's pretty rare for
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one person to stay in one job,
their whole life or to stay in
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one company, their whole life
changes constantly a part of our
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vocabulary, and I think it
should be a more, welcome one.
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It leads to a more enriching
life, more enriching experience,
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more ways to connect and it
helps us discover new facets of
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our life.
As we get older through these
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interviews were collecting
Pearls of Wisdom to collectively
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create principles for leading a
multi passionate life.
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What do you think should be in
the Ampersand Manifesto?
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Do what you love?
Don't do what other people think
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or expect of you.
I think the only person that you
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Are beholden to is yourself.
I think that's that's the heart
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of what I do.
Everything I have tried and may
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have failed and succeeded at is
all because I have stayed true
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to my internal compass and I
fervently hope that anyone
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trying to live their Ampersand
life or their best life.
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Does the same, any tips on how
to find that Compass or how to
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Really hone in on what you even
want.
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Cultivating space in your life
is really important and space to
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allow your brain to breathe is
really important as well.
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So you can recognize what is
important to you and what isn't?
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But without the distraction or
didn't of other other voices.
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So it's almost like cultivating
boredom in some some cases Allow
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yourself to be bored.
And through that, I think your
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brain is going to naturally
gravitate towards what it wants
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to that should give you an
indication of what you should be
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doing Vero.
It's been such a pleasure
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talking to you today folks.
You can check out varro's work
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at Vero carrion.com and she's
also on Instagram at Vero,
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carrion, and also at Miss
cheese.
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Longer, and we'll link to these
in the show notes.
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If you liked this show hit,
like, subscribe and share with
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your friends and fellow
ampersands, I had an opportunity
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to reflect on my interview with
the Barrow, there were so many
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incredible insights and I'm
going to try to whittle them
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down to three to share with you
one.
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If I had had a few more hours
with marrow, I would have loved
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to learn more about her
upbringing as a child of
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immigrants.
Her relationship with her sister
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and competitive, Irish step
dancing.
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Being a first generation,
Chinese Canadian American
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myself.
I understood what Vero meant
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immediately when she mentioned
immigrant family, expectations
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doctor, lawyer fessor.
These were careers, worthy of
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00:25:08,600 --> 00:25:11,500
the sacrifices, your family made
for a better life.
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I thought it was remarkable that
Vero broke the mold but also so
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that she chose to see things
through.
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First, she knew in her heart
that law probably wasn't for her
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all the way back in that first
class in law school.
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But she stuck it out and took
and passed the bar exam and she
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practiced law while discovering
her dreams.
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I really respect this.
It's also a great reminder that
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ideas can take years to fully
form while you're on a totally
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different track.
To, I loved how ver owes
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creative process comes together
through, documenting learning
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and practicing.
And this came up several times,
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she's blogging started as a way
to document, what she was
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learning and eventually became a
business.
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00:26:01,800 --> 00:26:05,700
Tog Rafi was a practice first,
four cheese, then for
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documenting backstage life.
At the Opera, there is portrait
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00:26:09,600 --> 00:26:13,700
photography business started,
organically from this practice
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and then blossomed into
something much bigger.
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Three.
I've been really thinking about
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this idea of quietude and
boredom as a key to finding what
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you love, we live in such a
noisy world of inputs.
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00:26:30,500 --> 00:26:32,200
Whether we're seeking them or
not.
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00:26:32,800 --> 00:26:37,600
What happens when we strip away
that noise what's left and what
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00:26:37,600 --> 00:26:40,800
do we gravitate towards in a
way?
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00:26:41,200 --> 00:26:43,500
This reminds me a lot of
coaching.
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00:26:43,800 --> 00:26:47,400
This is what we do in coaching
is strip away, that noise.
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Eyes and to see what's going on
in there when you have that
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Quiet Mind.
I actually didn't love cheese.
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When I was living in France at
first, but it's grown on me.